Nackte Dame mit Halsband und gelocktem Haar - Works

Exhibition

about

Introduction

Imprint

de en

Exhibition

Stories

1 Arnold Bode’s first plan for documenta
2 Bauhaus artists at the first documenta
3 A Comparison of Visual Identity
4 Bauhaus artists at the second documenta
5 Bauhaus ideas for the Kassel Werkakademie in the postwar period
6 Kassel in the 1920s — contacts to the Bauhaus
7 Applied art and design — relations to Bauhaus ideas
8 Arnold Bode’s contacts in Berlin in the early 1930s
9 Bauhaus artists at the third documenta

Close-ups

#a Werner Haftmann, the gray eminence of documenta
#b Bauhaus artists in photo portraits
#c Bauhaus architectures in photo portraits
#d Ludwig Grote and the Bauhaus
#e Fritz Winter — From Bauhaus to documenta
#f Hans Soeder and the reformation of the Kassel Art Academy
#g The göppinger galerie in Frankfurt
#h Arnold Bode as a designer
#i The Rasch Wallpaper Factory
#j The Städtische Werklehrer-Seminar in Berlin
#k The Kroll Opera in Berlin
#l The case of Wagenfeld
#m Primary colors and shapes at the Bauhaus
#n Brian Jungen’s »Dog Run«

Index

People
Organizations
Works
Rooms

about
Introduction
Imprint

Paul Klee
Nackte Dame mit Halsband und gelocktem Haar, 1919
Pencil on stationary, cardboard
15,8 x 27,1 cm
on display on documenta 3, 1964
Zentrum Paul Klee, Bern