Blaue Frauen - Works - documenta archiv

Exhibition

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Introduction

Imprint

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Exhibition

Stories

1 Arnold Bode’s first plan for documenta
2 Bauhaus artists at the first documenta
3 A Comparison of Visual Identity
4 Bauhaus artists at the second documenta
5 Bauhaus ideas for the Kassel Werkakademie in the postwar period
6 Kassel in the 1920s — contacts to the Bauhaus
7 Applied art and design — relations to Bauhaus ideas
8 Arnold Bode’s contacts in Berlin in the early 1930s
9 Bauhaus artists at the third documenta

Close-ups

#a Werner Haftmann, the gray eminence of documenta
#b Bauhaus artists in photo portraits
#c Bauhaus architectures in photo portraits
#d Ludwig Grote and the Bauhaus
#e Fritz Winter — From Bauhaus to documenta
#f Hans Soeder and the reformation of the Kassel Art Academy
#g The göppinger galerie in Frankfurt
#h Arnold Bode as a designer
#i The Rasch Wallpaper Factory
#j The Städtische Werklehrer-Seminar in Berlin
#k The Kroll Opera in Berlin
#l The case of Wagenfeld
#m Primary colors and shapes at the Bauhaus
#n Brian Jungen’s »Dog Run«

Index

People
Organizations
Works
Rooms

about
Introduction
Imprint

Oskar Schlemmer
Blaue Frauen, 1929
Oil, Tempera
on display on erste documenta, 1955
Museum Fridericianum, room 25
Signature: MCP.A-d01-Schlemmer-10001158